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The Dresden Codex is a Maya book, which was believed to be the oldest surviving book written in the Americas, dating to the 11th or 12th century. (2025). 9781628733228, Skyhorse Publishing, Inc. ISBN 9781628733228 However, in September 2018 it was proven that the Maya Codex of Mexico, previously known as the Grolier Codex, is, in fact, older by about a century. The codex was rediscovered in the city of Dresden, Germany, hence the book's present name. It is located in the museum of the Saxon State Library. The codex contains information relating to astronomical and astrological tables, religious references, seasons of the earth, and illness and medicine. It also includes information about conjunctions of planets and moons.
The book suffered serious water damage during World War II. The pages are made of amate, high, and can be folded accordion-style; when unfolded the codex is long. It is written in and refers to an original text of some three or four hundred years earlier, describing local history and Maya astronomy. Like all other pre-Hispanic books from Mesoamerica, the Dresden Codex takes the form of a screenfold. The pages consist of a paper made from the pounded inner bark of a wild species of fig, Ficus cotinifolia, ( hu'un in Maya—a word that became semantically equivalent to “book”).Nikolai Grube. "Dresden, Codex." In David Carrasco (ed). The Oxford Encyclopedia of Mesoamerican Cultures. : Oxford University Press, 2001.
The Dresden Codex is one of four hieroglyphic Maya codices that survived the Spanish Inquisition in the New World. Three, the Dresden, Madrid, and Paris Codex, are named after the city where they were ultimately rediscovered. The fourth is the Grolier Codex, located at the Grolier Club in New York City. The Dresden Codex is held by the Saxon State and University Library Dresden (SLUB Dresden, Saxon State Library) in Dresden, Germany. The Maya codices all have about the same size pages, with a height of about and a width of .
The pictures and glyphs were painted by skilled craftsmen using thin brushes and vegetable dyes. Black and red were the main colors used for many of the pages. Some pages have detailed backgrounds in shades of yellow, green, and the Maya blue. The codex was written by eight different scribes, who all had their own writing style, glyph designs, and subject matter.
Johann Christian Götze (1692–1749), German theologian and director of the Royal Library at Dresden, purchased the codex from a private owner in Vienna in 1739 while traveling to Italy. Thompson speculates that the codex was sent as a tribute to Charles V, Holy Roman Emperor by Hernán Cortés, governor of Mexico, since examples of local writings and other Maya items were sent to the king in 1519 when he was living in Vienna. The codex was eventually catalogued into the Royal Library of Dresden in 1744, where it remained relatively obscure until the early twentieth century.
Alexander von Humboldt published pages 47, 48 and 50–52 from the Dresden Codex in his 1810 atlas Vues des Cordillères et Monuments des Peuples Indigènes de l'Amérique, the first reproduction of any of its pages. The first copy of the codex was published by Lord Kingsborough in his 1831 Antiquities of Mexico. In 1828 Constantine Samuel Rafinesque had identified this book as being of Maya origin based on its glyphs looking like those found at Palenque. Historian Cyrus Thomas made a connection between the codex and the 260 year cycle ("Ahau Katun") of the Maya calendar and the 365 days in a year. Ruggles shows that in the codex the Maya related their 260-day calendar to celestial bodies, especially Venus and Mars.
The codex has played a key role in the deciphering of Mayan script. Dresden librarian Ernst Wilhelm Förstemann published the first complete facsimile in 1880. He deciphered the calendar section of the codex, including the Maya numerals used therein. Förstemann determined that these numbers, along with deities and day names, related to the Mayan calendar and the Mayan Long Count calendar. In the 1950s Yuri Knorozov used a phonetic approach based on the De Landa alphabet for decoding the codex, which was followed up in the 1980s by other scholars that did additional deciphering based on this concept.
Paul Schellhas in 1897 and 1904 assigned letters to gods for specific glyphs since they had several possible names. For example God D could be Hunab Ku Itzam Na among several other names and God A could be Cizin (god of death) among others. The Schellhas system of assigning letters for the gods represented by certain glyphs as a noncommittal system was adopted by later researchers of Maya codices.
The Dresden Codex contains accurate astronomical tables, which are recognized by students of the codex for its detailed Venus tables and lunar tables. The lunar series has intervals correlating with eclipses, while the Venus tables correlate with the movements of the planet Venus. The codex also contains astrological tables and ritual schedules. The religious references show in a cycle of a 260-day ritual calendar the important Maya royal events. The codex also includes information on the Maya new-year ceremony tradition. The rain god Chaac is represented 134 times.
It received direct water damage that was significantly destructive, from being kept in a flooded basement during the World War II bombing of Dresden in February 1945. German historian G. Zimmerman later noted that the damage was extreme on pages 2, 4, 24, 28, 34, 38, 71 and 72. Certain details of the glyph images have been lost because of this. The damage is apparent when the current codex is compared to the Kingsborough copies of 1831–48 and the Förstemann facsimile editions from 1880 and 1892.
Today's page numbers were assigned by Aglio when he became the first to transcribe the manuscript in 1825–26. For this, he divided the original codex into two parts, labeled Codex A and Codex B. He sequenced Codex A on the front side followed by its back side, with the same order on Codex B.
Today, historians such as Helmut Deckert and Ferdinand Anders understand that a codex reading should traverse the complete front side followed by the complete back side of the manuscript, i.e., pages 1–24 followed by 46–74 and 25–45. The librarian K. C. Falkenstein adjusted the relative position of pages for “esthetical reasons” in 1836, resulting in today's two similar length parts. While deciphering the codex, the librarian E. W. Förstemann noticed an error in Aglio's page assignment of the sheets 1/45 and 2/44, so he correctly reassigned Aglio's pages 44 and 45 to become pages 1 and 2. The reversal of the sheets 6/40, 7/39 and 8/38 is due to an error when the sheets were returned to their protective glass cabinet after drying from the water damage due to the bombing of Dresden in 1945.
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Deterioration and pagination
Italian artist and engraver Agostino Aglio, starting in 1826, became the first to transcribe and illustrate the codex completely for Irish antiquarian Lord Kingsborough, who published it in his nine volumes of Antiquities of Mexico in 1831–48. The codex then had some damage due to handling, sunlight, and moisture.
See also
Bibliography
John Eric Sidney Thompson (1972). 9780871690937, American Philosophical Society. . ISBN 9780871690937
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